SPEED
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[Lectures]
- Bosozoku: Speed Tribes
- Postwar Youth Tribes
- Who and Why?
- Deviance and Fun
- Speed Racer
- Fantasy Thrills and Chills
- Obedience and Resistance
- Brotherhood
- Akira
- Fantasy Thrills and Chills
- Resistance: Against What?
- Friendship
- While We're Young
Youth Tribes...
- Taiyo-zoku (Sun Tribe, 1956)
- Kaminari-zoku (Thunder Tribe, 1959)
- Miyuki-zoku (Miyuki Tribe, 1964)
- Ereki-zoku (Electric Guitar Tribe, 1965)
- Hippie-zoku (Hippies, 1967)
- Bosozoku (Wild Speed Tribe, 1970s)
- Annon-zoku (Annon Tribe, 1977)
- Crystal-zoku (Crystal Tribe, 1980)
What do bosozoku do?
- Ride around in groups late at night making as much noise as
possible
- Slow down traffic on major thoroughfares
- Smoking, drinking and drugs
- Yakuza affiliations and affectations
Criminological View
- 1973-83: number of bosozoku climbed from 12,500 to 39,000,
while related arrests rose from 28,000 to 54,819
- Strain theory: deviance is a behavioral expression of
frustrated wants and needs resulting from gap between aspirations
and social access
- Cultural deviance theory: deviant behavior as conformity to a
set of subcultural standards not accepted by society at large
- Social control theory: deviant behavior result of balance
between motive forces for deviance and the pressure of
social-control mechanisms
Who and Why?
"Tats: The Speed Tribes"
- Karl Greenfeld gives account colored by sense of inevitability
and tragedy
- Lack of options for higher education and steady work
opportunities
- Broken homes
- Sees bosozoku to yakuza as natural progression
Who and Why?
Kamikaze Biker
- Ikuya Sato argues that bosozoku come from range of
backgrounds, from lower class to upper middle class
- Commonality: lack of interest or respect for higher education,
generally in lowest brackets of academic performance
- Participation as rebellious phase, with most members going on
to steady jobs afterwards
- From interviews: riding in pursuit of play (asobi) rather than
as expression of frustration
Deviance as Fun
- Attraction theory of delinquency: "the fun in evil"
- Participants in youth gangs not just reacting to social
forces but enjoying manipulation and control of their social
situation
- Turning the tables and getting others to react
- Appropriating meaning to one's life when none is
forthcoming from ordinary quarters
Mihaly Csikszentmihalyi:
The Experience of "Flow"
- "In the flow state, action follows upon action according to an
internal logic that seems to need no conscious intervention by the
actor."
- Flow: merging of action and awareness; centering of attention
on limited stimulus field; loss of ego; feeling of competence and
control; unambiguous goals and immediate feedback; autotelic
nature
Speed Racer
- Artist: Yoshida Tatsuo
- Head of Tatsunoko Productions
- "Space Ace," "Insect Legend Honeybee Hutch", etc.
- Animation: 1967-68 on Fuji TV, broadcast in US early 1970s,
rebroadcast MTV 1993
Speed Racer
- How is speed represented?
- The action
- The machine
- The man
- How are Speed Racer's relations with
- How do obedience and rebellion figure in the story?
Akira
- Artist: Otomo Katsuhiro
- Domu: A Child's Dreams won SF Grand Prix '83
- Directed "Rôjin Z," "Memories," "World Apartment
Horror"
- Manga:
- Serial from 1982 for almost a decade in Young
- Global popularity: Asia, the Americas, Europe
- Animation: 1988
Akira
- How is speed represented?
- Who? Why? Where?
- Does it have "meaning"?
- What kind of world do we see in the clip?
- What kinds of resistance to the estab. do we see?
- What kind of relationship do Kaneda & Tetsuo have?
- Comparisons & contrasts with "Speed Racer"?
- What might these stories reflect of their times?
While We're Young...
- Adolescence
- Time of confusion and frustration while caught between two
codes of behavior and while coming to terms with changes within
self
- Time of freedom to push the envelope while possessing
"adult" bodies without adult responsibilities (job, children,
etc.)
- Speed and dangers as pleasures associated with the particular
time and space of adolescence
- "Fun" in play v. "thrills" as a career
- Postwar orthodoxies produce particular forms of postwar
rebellions