Fate in the Enchiridion and Oedipus Rex

Andrea Bangert, 30.10.01
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      In his philosophic manual, The Enchiridion, Epictetus teaches that some circumstances - emotions such as desire and aversion, temperance, and morality, for example - are within the individual's power to control, while others - such as fate, sickness, health, poverty, infamy, and death - are not. The individual possesses control over his own emotions, opinions, and actions, but he has no power over fate or over the actions or opinions of others. Seeking to control circumstances over which the individual has no power will merely lead to frustration. One should seek to avoid only those negative circumstances which are within the individual's scope, and refrain from both aversion and desire when contemplating events beyond that scope. Such events ought to be neither feared nor desired, but must simply be dealt with to the best of one's ability.
      Epictetus particularly wished his doctrine to be applied when consulting an oracle. At this time, one must remember that any happenstance which is beyone one's personal control should be considered neither desireable nor fearful, and should therefore be neither sought out nor avoided. The purpose of conferring with the oracle is to determine what event will happen, not whether the result of that event will be 'good' or 'bad'. Says Epictetus, "When you have recourse to divination, remember that you know not what the event will be, and you come to learn it of the diviner; but of what nature it is you knew before coming... For if it is among the things not within our own power, it can by no means be either good or evil... First clearly understand that every event is indifferent and nothing to you, of whatever sort it may be; for it will be in your power to make a right use of it, and this no one can hinder." (p.30)
      The consultation of oracles plays the part of a catalyst in the Sophoclean tragedy Oedipus Rex. The King and Queen of Thebes, Laius and Jocasta, are persuaded to abandon their infant son upon a hillside to die of exposure after hearing of what his fate will be if he lives. Recalls Jocasta, "There was an oracle once that came to Laius,...and it told him that it was fate that he should die a victim at the hands of his own son, a son to be born of Laius and me... Before three days were out after his birth King Laius pierced his ankles and by the hands of others cast him forth upon a pathless hillside." (p.41) Oedipus, the adopted son of the King Polybus and Queen Merope, is persuaded to flee their city of Corinth when he hears the fate that lies in store for him: "Phoebus foretold... desperate horrors to befall me, that I was fated to lie with my mother, and to show daylight to an accursed breed which men would not endure, and I was doomed to be murderer of the father that begot me. When I heard this I fled... to somewhere where I should not see fulfilled the infamies told in the dreadful oracle." (p.45) Neither King Laius and Queen Jocasta nor the young Oedipus possess the self-control counciled by Epictetus which would enable them to refrain from fearing the prophesied events and instead to meet them with decorum.
      Epictetus insists that circumstances such as fate, which are beyond the individual's control, must be neither feared nor desired. He warns that in fleeing from or striving toward circumstances which the individual is powerless to control, one sets onesself up for failure. Epictetus would counsel calmness and dignity upon receipt of an oracle such as those given to Laius, Jocasta, and Oedipus. He would caution against acting out of fear or attempting to avert a fate which cannot be averted. Epictetus would urge all parties involved to accept the roles assigned to them by the gods and to strive to act out their parts with grace and dignity. This sense of dignity and morality would not admit to the abandonment of a helpless infant on a hillside; nor would it involve fleeing in a panic from the city where one was raised. It would require that the King and Queen raise their threatening child, and that Oedipus remain in the city of his childhood to face the fate that the gods had designed for him. If Laius and Jocasta had kept their son, he would have grown up knowing who his parents were and would not then have been able to unknowingly commit the crime of patricide or to take his mother as wife. If Oedipus had stayed in the city of Corinth, where he was raised by Polybus and Merope, he would not have come into unheeding contact with his birth parents. By calling their fate evil and seeking at all costs to avoid it, Oedipus, Laius, and Jocasta brought disaster down upon their own heads. Epictetus would claim that the only possibile way to "make a right use of" one's fate is to meet it proudly; Sophocles' characters assuredly compounded the tragedy of their fates by being unwilling to do so.
      Sophocles' story of the downfall of Oedipus seems to argue that there is no escaping fate, no matter how fiercely one battles against it. Epictetus does not dispute this. Indeed, he claims that one should not resist fate, but should instead follow the path assigned to one by the gods with grace and composure. In the Enchiridion, Epictetus quotes Cleanthes in order to communicate his point:

Conduct me, Zeus, and thou, O Destiny,
Wherever your decrees have fixed my lot.
I follow cheerfully; and, did I not,
Wicked and wretched, I must follow still. (p.39)
Epictetus insists that one must with good composure accept the fate designed for one by the gods, and seek to live the most upright life possible within the confines of destiny. However, Oedipus cannot do as Epictetus councels and accept his destiny calmly. Instead he rages against every twist of fate, and refuses to accept his lot with cheer or grace. The Messenger describes Oedipus' behavior upon learning that he is Queen Jocasta's child by the murdered Laius: "Oedipus... burst upon us shouting and we looked to him as he paced frantically aroung, begging us always: Give me a sword, I say, to find this wife no wife, this mother's womb, this field of double sowing whence I sprang and where I sowed my children!" (p.66) Not only does Oedipus rail helplessly against Jocasta, but he does himself a hideous injury, which wholly neglects to alleviate his predicament and instead merely increases the pathos of the situation: "...He tore the brooches - the gold chased brooches fastening her robe - away from her and lifting them up high dashed them to his own eyeballs... With... imprecations he struck his eyes again and again with the brooches. And the bleeding eyeballs gushed and stained his beard - no sluggish oozing drops but a black rain and a bloody hail poured down." (p.66) Oedipus in no way follows Epictetus' council of temperance and stoicism.
      Epictetus' argues that one cannot escape one's fate, and that in order to preserve an upright demeanor one should not try. The philosopher admonishes, "Remember that you are an actor in a drama of such sort as the Author chooses - if short, then in a short one; if long, then in a long one. If it be his pleasure that you should enact a poor man, or a cripple, or a ruler, or a private citizen, see that you act it well. For this is your business - to act well the given part, but to choose it belongs to another. (p.22) Oedipus as he rages is completely unable to heed this council. His wife and mother Jocasta, however, demonstrates a keen sense of Epictetus' intent. She understands that Oedipus is allowing the oracle's grim words to propel him on his destructive search for his past. She asks why he heeds the oracle thus: "Why should man fear since chance in all in all for him, and he can clearly foreknow nothing? Best to live lightly... He to whom such things are nothing bears his life most easily." (p.52) Jocasta sees with clarity the outcome as the plot is still unfolding and while Oedipus still remains blind to its implications. She first pleas with Oedipus to cease his pursuit of the knowledge of his birth; when he is unwilling to sway his course, and insists upon learning all, she ceases to struggle against fate. She simply acts to affect those circumstances of which she retains control: she chooses to end her own life. Her last words to Oedipus are as dignified as Epictetus could wish: "O Oedipus, unhappy Oedipus! That is all I can call you, and the last thing that I shall ever call you." (p.57) Jocasta plays her role well; she knows when to make an exit, and she does so with dignity, grace, and assurance. She does not pause to rail against the fates but instead takes the part which they have assigned her and does her best with it. She exits calmly and with dignity.
      Oedipus, in contrast to Jocasta, tries to evade the role which the Fates have planned out for him. He fails in this: he is humbled. His passion and his rage have been unable to burst the confines of the role assigned to him. Out of necessity his wild emotions are thereafter channeled into the tempestuous and immoderate acting of the part which he has been forced to play. However, in the end Oedipus too bows before fate. He has not the strength left to rage against the role assigned: in his bitter loss he has gained the wisdom and temperance which Epictetus urges. "I would not have been saved from death if not for some strange evil fate. Well, let my fate go where it will." (p.73) Oedipus has finally ceased to try to evade his fate; he is now ready to face it, committing himself to a rootless wandering existence according to the destiny's whims.
In satisfaction, Epictetus quotes Euripedes:
Who'er yields properly to Fate is deemed
Wise among men, and knows the laws of Heaven. (p.39)
The Queen Jocasta proved wise when it was time for her to leave the stage, yielding gracefully to fate. In the end, even Sophocles' intemperate Oedipus is a wiser and humbled man who accepts his fate and follows with dignity whence it leads.



Bibliography:

Oedipus the King, Sophocles, translated by David Greene, 1991
The Enchiridion, Epictetus, translated by Thomas Higginson, 1948


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